Costumes: The no.1 Reason Why Halloween is Better in NOLA

For some New Orleanians, Halloween is the second best time of the year and it’s not just because cooler weather has finally arrived… It is because of the costumes.

In NOLA, we take our costuming seriously. In any city, once you have grown up past the age of trick-or-treating, the best part of Halloween is the parties. Well, in New Orleans, we don’t need an excuse to throw a festive occasion, so how are we to differentiate a Halloween party from any other day of the year? The answer is simple….the costumes.
In other towns, Halloween costumes are about the shock factor. Women dress in scandalous and risqué attire and men dress as a gory and bloody something or other. In New Orleans it takes a bit more than blood, guts and cleavage to make us do a double take, so instead people choose a more creative route.

In the city of ghosts, voodoo and vampire novels, there is no lack of inspiration for your evenings mask. From Marie Laveau and voodoo dolls to the silver men who pose in the streets of the French Quarter, the costume ideas are never dull. The true power of these costumes lies in the detail work. The more detail, the better and I am talking head to toe detail! Store bought costumes are no match for the home made, NOLA costume with accessories hand picked from thrift shops and antique stores lining river road. It is the one city where Halloween does not equal slutty costume night and a girl can feel comfortable to look as creepy or funny as she pleases.

I hope you started working on your costumes already, because Halloween is finally here and these details don’t pop up over night!

Wait a minute, she said Halloween is the second best time of the year. Well, if costumes are your fancy, Halloween is merely a staging event for a more prominent costumed holiday on the NOLA calendar…

Beatrix Cornu 1866-1880

I was never one who believed much in ghosts, but this all changed when I met Beatrix.

Beatrix, as I have come to call her, is my house ghost.  Within days of moving into the apartment, Beatrix made herself known to my roommate and I.  She was shy at first, hiding in the office in the back of the house.  She would emerge at night, creeping slowly from the office through my roommate’s bedroom and out the bedroom door.  I believe the office, a bonus room in the back of our house, was her bedroom.

Beatrix

For months this was all we saw of Beatrix until she became more comfortable with us.  Then the doors in the common area started opening on their own accord.  It had grown colder by then and when the doors opened I would get hit by a cold blast of air as the door swung to.  Again, this still was not enough for me to believe in the ghost.

It wasn’t until after numerous doors opening on their own, numerous doors that had been double checked when latched, lights being switched on in rooms we hadn’t even been in that day, and objects being moved that I began to believe that Beatrix did in fact exist.  Things started to progress, Beatrix started to become more comfortable around us and her presence became more noticeable.

Over time, it became apparent that Beatrix was a child who had lived (and possibly died?) in my house.  She lived in the tiny room in the back of the house and lives there to this day.  She emerges from her room at night, passing my roommate in her sleep and entering into the common areas of the house.  She turns the light on in her bedroom only and enjoys playing tricks on the members of my household, particularly my roommate whose room is closest and the dogs who she teases into corners.  Beatrix has moved keys, repetitively opened trash cans, and swung cabinets open at the exact time you move your head to that spot, and even slammed doors on occasion.  I have considered all practical reasoning behind the happenings that have occurred, but I have come up with no explanation that explains things better than Beatrix’s existence in my home.

New Orleans is known as the most haunted city in the United States.  The buildings here, in New Orleans, hold energy; energy that dates back centuries, manifesting itself, making itself known to those who pass through the walls.  It’s hard to say if it is because of the humidity or the crooked history of the cities residents, or both.  Whatever the reasoning, it is important to know that even though it is the most haunted city, not all ghosts are malicious, some merely exist in a neighboring universe.  Beatrix may slam doors, cause the dogs to bark, pass through my hallways and create a bit of chaos, but in the end it seems she means no harm.  If that is the case, a third roommate is okay by me!

Revel With a Cause

Quote

A classic from 2003…

So I’ve been chosen to open this supplement issue with a few words about the party and nightlife scene in New Orleans, eh? Hmmm … this makes me wonder a bit. After all, there are so many people more qualified than I for this honor, dubious though it may be. Perhaps I have been chosen because I have spent more than a few nights in this great city not as the drummer and lead singer for Cowboy Mouth, but as just another inebriated reveler in a town with too many of those to count. If that is the case, then I humbly accept my assignment. I hope I do Gambit proud.
It’s a little known fact that fun was actually invented right here in the great city of New Orleans. I know, I know … there have been other cities that claim to have had “nightlife” in the past. But all of those places merely aspire to a certain nocturnal naughtiness that we just regard as part of the natural genetic makeup of the fools and lunatics who populate the metro New Orleans area.

In this town, there is adventure in almost every crevice. It is where most people come in order to discover the very best or the very worst of themselves. A recent online survey said that New Orleans is the top spot that people travel to in order to engage in illicit romantic affairs. Can you think of a better place? Neither can I.

And with each personal adventure on which one may embark in this hallowed city of scandal, there is a drink and/or a piece of music that will fit the accompanying situation. Kermit Ruffins and a cold bottle of Dixie or an Abita draft will just about cure any blues that ail you. Any number of Nevilles, Meters, Battistes or Porters can exorcise demons through unearthly rhythms that simply do not exist beyond our borders. The casual, late-night wildness of the Red Eye Bar on South Peters or the early morning pool tabletop dancing at F & M’s are both good places to let your hair down, have a stiff whiskey and tell the world to go to hell, if necessary.

There’s music built into the walls of the Maple Leaf, the tiles of Tipitina’s, the concrete of the Howlin’ Wolf, the lanes of the Rock ‘n’ Bowl, and the sidewalks of Frenchmen Street. Music pours from the pores of the brick and dirt designed to trick us into believing that we are, in fact, not below sea level and can never, ever be washed away with the whim of the tide and the shift of the storm. We are willingly seduced by the idea that the debt of the dark can be paid with continuous dancing, laughing, singing and drinking — the idea that reality can be stemmed, that morning will never come, at least for right now.

However, within the subconscious knowledge of our eventual fate as part of the river’s soul and soil is a damned-if-we-do-damned-if-we-don’t celebratory attitude that pervades the heart of the nightlife here. The afternoon/evening hours of Mardi Gras day give this spirit its best expression, when the most ardent of revelers defiantly cling to their mantra against all physical, spiritual and emotional sanity: “must … keep … partying.”

It’s not that we defy logic here, we just have our own definition of it. The spirit of celebration for any New Orleanian, in and of itself, is paramount to the myriad of woes that 21st century living has wrought upon us. It is through the craziness that we find our sanity. It is through the laughter that we find our tears. It is through losing our minds that we find our hearts.

Other cities may cite our insatiable desire for merriment as some sort of collective local fault, something that should inspire guilt or shame, something for which we should repent. Let outsiders call it what they will. It is part of our DNA. It is what our parents did and what our children will most probably do, God help them.

It is an essential part of who we are.

So the next time you’re out, raise a glass in toast to the alluring surreality that is New Orleans. In defiance of a world gone mad, we here have the common sense to celebrate our great city, our way of life, and — most important of all — ourselves.

Cheers!

Fred LeBlanc for Gambit on September 9, 2003