Tablet Hotels Features New Orleans- by Hallie Davison

New Orleans is a city that spoils the imagination. Its history is spirited, its food unrepentant, and its climate is sultry nearly all year long. It’s no wonder that so many creative minds (William Faulkner, Tennessee Williams, Louis Armstrong) have been unable to resist its romance. But lately New Orleans has been attracting a new kind: ambitious entrepreneurs who have found fertile ground along the bayou.

After a trifecta of trauma — Hurricane Katrina, the Deepwater Horizon oil spill and a global recession — entrepreneurship has been key to the city’s cultural and economic revival. In March New Orleans hosts its fourth Entrepreneur Week, a conference where aspiring business owners receive coaching from big-name investors and hone their pitches with an audience of MBA students from programs at Tulane, Stanford and Northwestern, among others. It’s the culmination of a six-month-long “start-up season” organized by the non-profit Idea Village, whose ambition to create a sustainable ecosystem for New Orleans start-ups is beginning to come to fruition: they’ve overseen a portfolio of companies that have, between them, created at least a thousand new jobs.

In the new New Orleans entrepreneurship is up, and that can-do spirit just might be the key to the city’s rejuvenation

Like many a successful partnership, the foundation for Idea Village sprouted from a conversation at a local bar. That bar, in fact, is the beloved Loa, in the stylish International House hotel. Loa continues to be a place for hatching ideas, thanks to bartenderAlan Walter’s killer cocktails and to a fortuitous location a short walk from Entrepreneur’s Row, an office building shared by a number of start-ups. Across the street, the industrial-chic Loft 523is the top option for those hunting down that first round of funding. Generously sized studio-style rooms, a strong wi-fi signal, and a well-outfitted gym will more than satisfy the needs of today’s self-starter.

Beyond the conference, New Orleans’s “brain gain” can be spied — and, better yet, overheard — at various hotspots around town. Forgo the traditional beignets and start your day with their green breakfast sandwich (the usual, plus arugula, avocado and tomato) from the proudly locavore Satsuma Cafe in Bywater, one of the city’s most artistic neighborhoods. Be sure to stroll along Dauphine Street and soak up the 19th-century architecture that has earned the neighborhood its Historic District status. For lunch, head to the Warehouse District, where art galleries and start-ups are happy bedfellows, sharing oversized loft spaces that were once repositories for shipments of cotton, sugar and coffee. Cochon Butcher, a spin-off of Donald Link’s Cochon, has quickly become the midday spot of choice for the area’s young professionals.

The afternoon might entail buckling down with the computer, so drop into Launch Pad, a co-working space in The Intellectual Property, or IP, another new collaborative office building. In addition to finding a desk, you’re also likely to gain some new friends. Come happy hour, head to the nearby gastro-pubCapdeville for good company, an extensive beer list and gut-pleasing dishes like poutine fries and truffled mac & cheese. And last, since this is the city that prides itself on its late-night tinctures, don’t miss a nightcap at the cocktail bar Cure, where they’re quite insistent about challenging your expectations. Try a Vixen’s Heart, whose ingredients include 12-year scotch, Cynar and smoked grapefruit oil. That’s the sort of risk/reward calculation that doesn’t require an MBA.

— Hallie Davison, March 2012

This article was originally published for Tablet.  Read the original article here.

Snapping out of the post-Mardi Gras Daze

In the weeks following carnival, the entire city falls into a post Mardi Gras daze. It is a daze that takes weeks of rest and relaxation combined with health food and non-alcoholic beverages to recover from the weeks of excess consumption. The result is a mini pre-spring hibernation where we nurture our bodies and cleanse our system in preparation for the warm weather that brings outdoor music, front porch sitting and riverside afternoons.

It’s a slow transition from the high energy of carnival into the long, lazy afternoons passed with friends on the water. The pre-spring hibernation is essential to making the transition between the two mentalities, but can render you helpless without a taste of the New Orleans spirit to snap you out of your post-Mardi Gras funk. The spirit can be found anywhere around the city-it’s in the Irish Channel parade, the opening of the snoball stands, the start of Wednesdays at the Square’s spring concert series or the Saint Joseph’s Day traditions.

Last night, as I was going through my post-Mardi Gras cleansing rituals, I was interrupted by a noise down the street. As the noise slowly grew louder, I could make out drums and chanting and finally as I peered out the window I saw them marching down the street. The Mardi Gras Indians were marching the city for Saint Joseph’s Day in the last show of their carnival costumes before they put them away for the season. And just like that, the charm of New Orleans found its way back to me, snapping me out of my post-Mardi Gras Daze and back into the New Orleanian mentality necessary to enjoy the city’s spring activities. Hibernation is over, time to get ready for a NOLA-licious spring in the Big Easy!

Gnarly NOLA-ites: Award-Winning Filmmakers Bill and Turner Ross present Tchoupitoulas

As someone who is fascinated with the culture of New Orleans, I wasn’t going to miss the opportunity to hear a talk by the award-winning filmmakers Bill and Turner Ross who are scheduled to release their new documentary, Tchoupitoulas, this March.  On Tuesday, January 10, the filmmakers presented to a public audience at Metairie Park Country Day School on their upcoming film about New Orleans culture that is predicted to receive attention from the Sundance Film Festival in 2012 for the New Frontier section.

After much success with their first film 45365 about their hometown, Sydney, Ohio the brothers were awarded the 2009 SXSW Grand Jury Award for Best Documentary Feature, only one of their many accolades.  Their very next project was to take on New Orleans, a place where they had spent much time as children and where their father currently resides.  Their new project will use their unique style of documenting the experience as a distinct time and place- no voiceovers, no interviews, purely the time, place, feeling and emotions as they are happening.

Tchoupitoulas explores cultural dynamics of New Orleans through the eyes of three young boys from the West Bank who frequent the French Quarter where they are exposed to a world many their age have only experienced in movies.   The film sets out to capture not only the dynamics of New Orleans and the complexities not seen to the naked eye, but also the naivety of a young child experiencing many of these things for the first time and the adventure they find as they explore the streets of the Quarter. The result is an amazing anthropological description of three boys experience in the Crescent City, curated by the filmmakers but told through the eyes of a local.

Coming from someone who constantly tries to describe the layers to this rich New Orleans culture, I am anxiously awaiting the arrival of the Ross brother documentary in March.  They have not only taken the time to learn the city’s culture and the landscape, but they care enough to depict it in a way that shows more than the Nation’s stereotype, showing that these national myths are only one element in the lives of the people who reside in New Orleans.

Check out the teasers here: http://www.rossbros.net/tchoupitoulas.html

Gnarly NOLA-ites: The NOLA Project and Romeo and Juliet

I know I said I was on hiatus from writing and trust me after this post I have full intention to sit back and enjoy the holiday season as any good New Orleanian should.  However, I am going to make an exception for this one post:

Years ago (about 6/7 years now), native New Orleanians Andrew Larimer and Alex Pomes came together with an idea to create a theater company that brought witty and intelligent theater to New Orleans.  At the time Larimer was a theater student at NYU and Pomes was actively pursuing his acting career in New Orleans and true to NOLA form, the duo met in high school while studying at NOCCA (New Orleans Center for Creative Arts).

The idea was simple, bring fresh and undiscovered New York talent to New Orleans where the actors would find themselves participating in real theater in a community that not only appreciated it, but that they could afford to live in.  Pomes had the New Orleans connections and Larimer knew the fresh New York talent and in the summer of 2005 the idea was born in their first production, The Cripple of Inishmaan.  The production was sharp, witty and dark a perfect satire for the New Orleanian sense of humor.  Despite the shows interruption by Katrina, the NOLA project moved forward, offering satirical and intelligent productions every summer.

After completing college, Larimer moved back to New Orleans and the NOLA Project moved from summer theater to year round productions and by this time they had partnered with the talented Creative Director A.J. Allegra.  In the post-Katrina, renaissance of New Orleans, the NOLA Project thrived, finding creativity in the adversity of limited theater spaces and funding.  The young group not only thrived in the limited environment, their energy and youth actively engaged a once sleepy theater community and revived the cities passion for the stage.

In their most recent collaboration, the NOLA Project teamed up with the New Orleans Museum of Art for an outstanding and sold out production of A Midsummer Night’s Dream in the Sydney and Walda Besthoff Sculpture Garden where fairies and misfits alike frolicked through the sculptures and pine grove, leading their audiences through the various scenes on foot in a dreamlike trance.

The Shakespeare production was such a success that a creative arts partnership was born.  Now on their third production at the museum, the NOLA Project presents their own rendition of Romeo and Juliet.  Using the New Orleans Museum of Art’s neo-classical building as inspiration, the company sets the play in the museum’s Great Hall amongst the ionic columns and the grandiose staircase.

The first scenes of the play begin outside the museum, set as the streets of Verona where the Capulet’s and the Montague’s first meet in the famous opening duel.  The audience is then brought into the Great Hall for the remainder of the performance, where they are treated to scenes set in the commons of the hall, the steps and even the second floor balcony.  In and of itself, the setting brings a romantic quality back to the Shakespearian play that is often missing from modern productions of the piece.  Finally a fantastic use of the museum’s problematic great hall design, theater in the round lives at NOMA.  New Orleans creativity at its finest, kudos to the NOLA Project for a fantastic performance that literally keeps the audience guessing from every angle.

The show opened last night, so be sure to get your tickets before they sell out!

http://nolaproject.com/shows.php