Hurricane Party

Hurricane Party
Cowboy Mouth

(Paul) A little piano from John Thomas Griffith. He’s usually grippin’ and rippin’ the lead guitar. Give it up for John over there. This is what we call in New Orleans a hurricane party. Kick it Freddy!
(Fred) Ah one! Ah Two! Ah one two three four!

 

My hurricane party got outta control
I’m lying in the gutter eatin’ tootsie rolls
With red ant bites all over my ass
Beating on my buddies with a baseball bat

 

We had a little party me and my friends
A hurricane was coming to New Orleans again
somebody brought scotch somebody brought beer
I shoulda’ kept the hooch and thrown’em outta here

 

A friendly game a penny a hand
Smoke a cigar act like a man
Waintin’ for the gale force winds to blow
Shuffle up the cards and let the liquor flow

 

My hurricane party got outta control
I’m lying in the gutter eatin’ tootsie rolls
With red ant bites all over my ass
Beating on my buddies with a baseball bat

 

Somebody’s girlfriend showed up by surprise
With cookies in her hands and dollar signs in her eyes
I started dipping her cookies in scotch
Well she won all my money and my pocket watch

 

Well I passed out and I woke up
The house was empty and so was my cup
From out on the front porch I heard them shout
I wish they’d come in so I could throw them out

 

My hurricane party got outta control
I’m lying in the gutter eatin’ tootsie rolls
With red ant bites all over my ass
Beating on my buddies with a baseball bat JTG!

 

Everybody’s wrestling out in the dirt
I laughed so hard till my stomach hurt
They saw me clean they heard me laugh
They started charging at me and I grabbed the bat

 

My hurricane party got outta control
I’m lying in the gutter eatin’ tootsie rolls
With red ant bites all over my ass
Beating on my buddies with a baseball bat
Beating on my buddies with a baseball bat
Beating on my buddies with a baseball bat

Snapping out of the post-Mardi Gras Daze

In the weeks following carnival, the entire city falls into a post Mardi Gras daze. It is a daze that takes weeks of rest and relaxation combined with health food and non-alcoholic beverages to recover from the weeks of excess consumption. The result is a mini pre-spring hibernation where we nurture our bodies and cleanse our system in preparation for the warm weather that brings outdoor music, front porch sitting and riverside afternoons.

It’s a slow transition from the high energy of carnival into the long, lazy afternoons passed with friends on the water. The pre-spring hibernation is essential to making the transition between the two mentalities, but can render you helpless without a taste of the New Orleans spirit to snap you out of your post-Mardi Gras funk. The spirit can be found anywhere around the city-it’s in the Irish Channel parade, the opening of the snoball stands, the start of Wednesdays at the Square’s spring concert series or the Saint Joseph’s Day traditions.

Last night, as I was going through my post-Mardi Gras cleansing rituals, I was interrupted by a noise down the street. As the noise slowly grew louder, I could make out drums and chanting and finally as I peered out the window I saw them marching down the street. The Mardi Gras Indians were marching the city for Saint Joseph’s Day in the last show of their carnival costumes before they put them away for the season. And just like that, the charm of New Orleans found its way back to me, snapping me out of my post-Mardi Gras Daze and back into the New Orleanian mentality necessary to enjoy the city’s spring activities. Hibernation is over, time to get ready for a NOLA-licious spring in the Big Easy!

Gnarly NOLA-ites: Award-Winning Filmmakers Bill and Turner Ross present Tchoupitoulas

As someone who is fascinated with the culture of New Orleans, I wasn’t going to miss the opportunity to hear a talk by the award-winning filmmakers Bill and Turner Ross who are scheduled to release their new documentary, Tchoupitoulas, this March.  On Tuesday, January 10, the filmmakers presented to a public audience at Metairie Park Country Day School on their upcoming film about New Orleans culture that is predicted to receive attention from the Sundance Film Festival in 2012 for the New Frontier section.

After much success with their first film 45365 about their hometown, Sydney, Ohio the brothers were awarded the 2009 SXSW Grand Jury Award for Best Documentary Feature, only one of their many accolades.  Their very next project was to take on New Orleans, a place where they had spent much time as children and where their father currently resides.  Their new project will use their unique style of documenting the experience as a distinct time and place- no voiceovers, no interviews, purely the time, place, feeling and emotions as they are happening.

Tchoupitoulas explores cultural dynamics of New Orleans through the eyes of three young boys from the West Bank who frequent the French Quarter where they are exposed to a world many their age have only experienced in movies.   The film sets out to capture not only the dynamics of New Orleans and the complexities not seen to the naked eye, but also the naivety of a young child experiencing many of these things for the first time and the adventure they find as they explore the streets of the Quarter. The result is an amazing anthropological description of three boys experience in the Crescent City, curated by the filmmakers but told through the eyes of a local.

Coming from someone who constantly tries to describe the layers to this rich New Orleans culture, I am anxiously awaiting the arrival of the Ross brother documentary in March.  They have not only taken the time to learn the city’s culture and the landscape, but they care enough to depict it in a way that shows more than the Nation’s stereotype, showing that these national myths are only one element in the lives of the people who reside in New Orleans.

Check out the teasers here: http://www.rossbros.net/tchoupitoulas.html

Revel With a Cause

Quote

A classic from 2003…

So I’ve been chosen to open this supplement issue with a few words about the party and nightlife scene in New Orleans, eh? Hmmm … this makes me wonder a bit. After all, there are so many people more qualified than I for this honor, dubious though it may be. Perhaps I have been chosen because I have spent more than a few nights in this great city not as the drummer and lead singer for Cowboy Mouth, but as just another inebriated reveler in a town with too many of those to count. If that is the case, then I humbly accept my assignment. I hope I do Gambit proud.
It’s a little known fact that fun was actually invented right here in the great city of New Orleans. I know, I know … there have been other cities that claim to have had “nightlife” in the past. But all of those places merely aspire to a certain nocturnal naughtiness that we just regard as part of the natural genetic makeup of the fools and lunatics who populate the metro New Orleans area.

In this town, there is adventure in almost every crevice. It is where most people come in order to discover the very best or the very worst of themselves. A recent online survey said that New Orleans is the top spot that people travel to in order to engage in illicit romantic affairs. Can you think of a better place? Neither can I.

And with each personal adventure on which one may embark in this hallowed city of scandal, there is a drink and/or a piece of music that will fit the accompanying situation. Kermit Ruffins and a cold bottle of Dixie or an Abita draft will just about cure any blues that ail you. Any number of Nevilles, Meters, Battistes or Porters can exorcise demons through unearthly rhythms that simply do not exist beyond our borders. The casual, late-night wildness of the Red Eye Bar on South Peters or the early morning pool tabletop dancing at F & M’s are both good places to let your hair down, have a stiff whiskey and tell the world to go to hell, if necessary.

There’s music built into the walls of the Maple Leaf, the tiles of Tipitina’s, the concrete of the Howlin’ Wolf, the lanes of the Rock ‘n’ Bowl, and the sidewalks of Frenchmen Street. Music pours from the pores of the brick and dirt designed to trick us into believing that we are, in fact, not below sea level and can never, ever be washed away with the whim of the tide and the shift of the storm. We are willingly seduced by the idea that the debt of the dark can be paid with continuous dancing, laughing, singing and drinking — the idea that reality can be stemmed, that morning will never come, at least for right now.

However, within the subconscious knowledge of our eventual fate as part of the river’s soul and soil is a damned-if-we-do-damned-if-we-don’t celebratory attitude that pervades the heart of the nightlife here. The afternoon/evening hours of Mardi Gras day give this spirit its best expression, when the most ardent of revelers defiantly cling to their mantra against all physical, spiritual and emotional sanity: “must … keep … partying.”

It’s not that we defy logic here, we just have our own definition of it. The spirit of celebration for any New Orleanian, in and of itself, is paramount to the myriad of woes that 21st century living has wrought upon us. It is through the craziness that we find our sanity. It is through the laughter that we find our tears. It is through losing our minds that we find our hearts.

Other cities may cite our insatiable desire for merriment as some sort of collective local fault, something that should inspire guilt or shame, something for which we should repent. Let outsiders call it what they will. It is part of our DNA. It is what our parents did and what our children will most probably do, God help them.

It is an essential part of who we are.

So the next time you’re out, raise a glass in toast to the alluring surreality that is New Orleans. In defiance of a world gone mad, we here have the common sense to celebrate our great city, our way of life, and — most important of all — ourselves.

Cheers!

Fred LeBlanc for Gambit on September 9, 2003